By James Eli Adams

Incorporating a vast variety of up to date scholarship, A heritage of Victorian Literature offers an outline of the literature produced in nice Britain among 1830 and 1900, with clean attention of either significant figures and a few of the era's much less established authors. a part of the Blackwell Histories of Literature sequence, the e-book describes the advance of the Victorian literary circulation and locations it inside its cultural, social and political context.A wide-ranging narrative review of literature in nice Britain among 1830 and 1900, taking pictures the intense number of literary output produced in this eraAnalyzes the improvement of all literary types in this interval - the unconventional, poetry, drama, autobiography and important prose - along side significant advancements in social and highbrow historyConsiders the ways that writers engaged with new kinds of social accountability of their paintings, as Britain reworked into the world's first business economyOffers a clean standpoint at the paintings of either significant figures and a few of the era?s much less standard authors

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The reach of the British Empire added special allure to Asia, Africa, South America, and the Middle East, while North America offered particularly resonant comparisons to Britain and its institutions. Readier access to France, Italy, and Greece made possible a newly vivid and extensive acquaintance with the history of Western art and architecture – a development reinforced at home by the expansion of public collections (the National Gallery was funded in 1824) and increased access to the treasures of great estates.

E. L” (1802–38). “No emotion is more truly, or more often pictured in her song, than that craving for affection … which answers not unto the call” (Landon 1997: 177), she wrote in a tribute after Hemans’s death in 1835. L. E. L’s lyrics rehearsed similar dramas of thwarted affection, but in a manner more extravagant and unguarded, in a career as meteoric as Hemans’s was withdrawn. ” a warrant of respectable domesticity (ironically, her husband had abandoned her when she was pregnant with their fifth child), Landon almost from her first publication, when she was just out of her teens, plunged into literary society, and walked a moral tightrope before a public alternately enraptured and punishing.

H. Hallam, which would prove a landmark in nineteenth-century understandings of poetry. With all the confidence of his 21 years, Hallam urged that people who failed to appreciate Tennyson were expecting the wrong kind of poetry. They were looking for poetry of reflection, which Hallam associated preeminently with Wordsworth, and they presumed that profound thoughts make for beautiful poetry. ” This gauntlet (“the Cockney School” attacks on Keats and Hunt were little more than a decade old) raised a further dilemma.

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