By Simon Trussler (auth.)

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Bahlke, 1970; Auden as a Social Poet by Frederick H. Buell, 1973; Man's Place: An Essay on Au den by Richard Johnson, 1973; Au den: A Tribute edited by Stephen Spender, 1975. 30 AUDEN One of the most recurrent features of W. H. Auden 's poetry is the pay sage mora lise (an early poem is actually called this) in which the landscape becomes the emblematic topography of a spiritual condition. Auden, whose earliest reading was in geology and mining and who first thought of becoming an engineer, has always believed that the way we locate ourselves in space, in a specific landscape we alter and adapt to, both determines and reveals our moral being, our sense of personal destiny and collective responsibility.

The Marrying of Ann Leete (produced 1902). 1909; in Three Plays, 1977. BARKER 37 Prunella; or, Love in a Dutch Garden, with Laurence Housman (produced 1904). 1906; revised version, 1930. The Voysey Inheritance (produced 1905). 1909; revised version, 1913, 1934; in Three Plays, 1977. Waste (produced 1907). 1909; revised version (produced 1936), 1926; in Three Plays, 1977. A Miracle (produced 1907). The Madras House (produced 1910). 1910; revised version, 1925. Rococo (produced 1911 ). In Rococo ...

The Chalk Garden (produced 1955). 1956. The Last Joke (produced 1960). In Four Plays, 1970. The Chinese Prime Minister (produced 1964). 1964. Call Me Jacky (produced 1967). In Four Plays, 1970; (revised version, as A Matter of Gravity, produced I 97 5). Four Plays (includes The Chalk Garden, The Last Joke, The Chinese Prime Minister, Call Me Jacky). 1970. Fiction The Happy Foreigner. 1920. BAGNOLD Serena Blandish; or, The Difficulty of Getting Married. 1924. National Velvet. 1935. The Squire. 1938; as The Door of Life, 1938.

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